Author: André Gaudreault, Nicolas Dulac, Santiago Hidalgo
Publisher: John Wiley & Sons
An authoritative and much–needed overview of the main issues in the field of early cinema from over 30 leading international scholars in the field First collection of its kind to offer in one reference: original theory, new research, and reviews of existing studies in the field Features over 30 original essays from some of the leading scholars in early cinema and Film Studies, including Tom Gunning, Jane Gaines, Richard Abel, Thomas Elsaesser, and André Gaudreault Caters to renewed interest in film studies historical methods, with strict analysis of multiple and competing sources, providing a critical re–contextualization of films, printed material and technologies Covers a range of topics in early cinema, such as exhibition, promotion, industry, pre–cinema, and film criticism Broaches the latest research on the subject of archival practices, important particularly in the current digital context
Musical analysis, libretto with French translation, cultural background, and performance history of the opera profiled (some issues cover two operas).
Author: Stephane Mallarme, Barbara Johnson
Publisher: Belknap Press
The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is "Divagations" has long been considered a treasure trove by students of aesthetics and modern poetry. This was the only book of prose that Mallarme published in his lifetime and, in a new translation by Johnson, it is now available for the first time in English just as he arranged it, in all of its languor and musicality.
Author: Andrew Whittaker
Publisher: Thorogood Publishing
A guidebook can show you where to go, a language guide what to say when you get there. But only "Speak the Culture: France" will lead you to a nation's soul. This easy to use cultural companion considers how it feels to have grown up with Flaubert, Cezanne and Bardot; it captures the flavours of French regional cuisine, paints the colour of festival life and delves deep into the Gallic psyche. Through exploring the people, movements and the lifestyles that have shaped the French experience, you will come to an intimate understanding of France and the French. This is not a travel guide or a manual on living in France. It's a superbly designed, informed and engaging insight into French life and culture and who the French really are
Author: Gerard Genette
Publisher: Cambridge University Press
Paratexts are those liminal devices and conventions, both within and outside the book, that mediate between book, author and reader: titles, forewords and publishers' jacket copy form part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette offers a global view of these liminal mediations and their relation to the reading public. With precision, clarity and through wide reference, he shows how paratexts interact with general questions of literature as a cultural institution. Richard Macksey's foreword situates Genette in contemporary literary theory.
Author: Mary Orr
Publisher: Dramatists Play Service Inc
THE STORY: Adapted from the story by Mary Orr, on which the film All About Eve and the hit musical APPLAUSE were based. An engrossing and revealing inside story of life in New York's theatre world, told in terms of an unscrupulous ingenue'
Author: Peter Brooks
Publisher: Yale University Press
Realist Vision explores the claim to represent the world “as it is.” Peter Brooks takes a new look at the realist tradition and its intense interest in the visual. Discussing major English and French novels and paintings from the nineteenth and twentieth centuries, Brooks provides a lively and perceptive view of the realist project. Centering each chapter on a single novel or group of paintings, Brooks examines the “invention” of realism beginning with Balzac and Dickens, its apogee in the work of such as Flaubert, Eliot, and Zola, and its continuing force in James and modernists such as Woolf. He considers also the painting of Courbet, Manet, Caillebotte, Tissot, and Lucian Freud, and such recent phenomena as “photorealism” and “reality TV.”
Author: Anna Hope
Publisher: Random House
A searing novel of forbidden love on the Yorkshire moors—“a British version of One Flew Over the Cuckoo’s Nest” (The Times U.K.)—from the author of the critically acclaimed debut Wake England, 1911. At Sharston Asylum, men and women are separated by thick walls and barred windows. But on Friday nights, they are allowed to mingle in the asylum’s magnificent ballroom. From its balconies and vaulted ceilings to its stained glass, the ballroom is a sanctuary. Onstage, the orchestra plays Strauss and Debussy while the patients twirl across the gleaming dance floor. Amid this heady ambience, John Mulligan and Ella Fay first meet. John is a sure-footed dancer with a clouded, secretive face; Ella is as skittish as a colt, with her knobby knees and flushed cheeks. Despite their grim circumstances, the unlikely pair strikes up a tenuous courtship. During the week, he writes letters smuggled to her in secret, unaware that Ella cannot read. She enlists a friend to read them aloud and gains resolve from the force of John’s words, each sentence a stirring incantation. And, of course, there’s always the promise of the ballroom. Then one of them receives an unexpected opportunity to leave Sharston for good. As Anna Hope’s powerful, bittersweet novel unfolds, John and Ella face an agonizing dilemma: whether to cling to familiar comforts or to confront a new world—living apart, yet forever changed. Praise for The Ballroom “The Ballroom successfully blends historical research with emotional intelligence to explore the tensions and trials of the human condition with grace and insight.”—New York Times Book Review “Part historical novel and part romance, The Ballroom paints an incredibly rich portrait of the mentally stable forced to live in an asylum. [Anna] Hope transports readers inside the asylum, to feel the thick humidity of the stale summer air of the day room, and the gritty and brutal reality inside those walls.”—Booklist “A compelling cast of emotionally resonant characters, as well as a bittersweet climax, render Hope’s second novel a powerful, memorable experience.”—Publishers Weekly “Hope’s writing is consistently beautiful. . . . Recommended for readers who enjoy historical fiction by Sarah Waters or Emma Donoghue.”—Library Journal “A beautifully wrought novel, a tender, heartbreaking and insightful exploration of the longings that survive in the most inhospitable environments.”—Sunday Express “The Ballroom has all the intensity and lyricism of [Anna] Hope’s debut, Wake. At its heart is a tender and absorbing love story.”—Daily Mail “Compelling and masterful . . . Anna Hope has proven once again that she is a luminary in historical fiction. . . . She delivers profound, poignant narratives that stir the emotions.”—Yorkshire Post “As with Hope’s highly acclaimed debut novel, Wake, the writing is elegant and insightful; she writes beautifully about human emotion, landscape and weather.”—The Observer “A brilliantly moving meditation on what it means to be ‘insane’ in a cruel world . . . All the characters are vividly and sensitively drawn. . . . Deeply moving.”—The Irish Times From the Hardcover edition.